Historical Novels Review - February 2010
GRINDING OF THE SOUL
Naum Prifti, East European Monographs/Columbia University Press, $55,
hb, 306pp, 978-0-88033-641-3
Prifti's book is a collection of short stories
about life under strict Marxist-Leninist communism in the twentieth
century. The stories have a casual quality, like a relative or old
neighbor telling you stories of their life. The tone underscores the
absurdity of life under a totalitarian regime, and how easily the soul
can be ground down into pettiness, greed, hopelessness. The collection
of characters are drawn very well in a few short sentences, and the
emotional impact of each story is immediate.
Though set in Enver Hoxha's Albania from World War II
through the 1980s, the stories have a timeless quality, modern
folktales about all the ways people can lose their moral center. The
translation did not do this book service, however. One gets the sense
that reading these stories in the original language would have
increased both the sense of immediacy and the feeling of folktale.
Unfortunately, as it is, the translation is clunky and inelegant.
Grinding of the Soul
is definitely not a comfortable book to read, but worthwhile
nonetheless.
ICE
LAND
Betsy Tobin, Plume Original, pb $15, 374pp, 978-0-452-29569-8
Iceland, at the dawn of a new millennium. King Olaf's
Christian missionaries are attempting to convert the fiercely
independent landholders and laborers of the island, but many still
cling to the old ways, their reverence for the Aesir, the gods and
goddesses of Scandinavia. The Aesir live among them, (mostly)
unbeknownst to the people, as well as in their enclave in the far
heights of Iceland, known as Asgard.
The story follows the intertwining tales of Freya, goddess of love and
fertility, and her quest for the Brisingamen, and Fulla, granddaughter
of a wealthy landowner and her quest for love and
independence. Their stories play out against the very real
landscape of Iceland, itself a strong personality throughout the book.
Tobin introduces us to winning, well-drawn characters (Dvalin in
particular) with personalities and stories that make you care deeply
about their fates. The stories are told in the present tense
like the Norse sagas – as Freya explains at the start, "My tale starts
and ends with Hekla, and I will tell it as it happens, in the manner of
the bards." This gives the book a sense of intimacy, and
urgency, that works very well.
Beautifully plotted, the stories weave together in surprising and very
satisfying ways, supported by excellent pacing and lovely language. The
author calls it her love letter to Iceland and her people, and you can
feel it in every chapter.
You don't need to have any knowledge of Norse myths or of the sagas,
but I expect it would make this book even more compelling.
All around, a thoroughly enjoyable book. Highly recommended.
A
COLD SEASON IN SHANGHAI
S.P. Hozy, Rendezvous Press, 2009, $19.95, pb 254pp, 978-1-894917-79-7
Shanghai, in the years before World War One. Tatiana and her
family have escaped Tsarist Russia after the peasant revolt of 1905 and
are making a new life in the international section of China's most
glamorous city. Making friends among the Chinese elite and
the international community, Tatiana and her sister Olga take
converging paths – Olga toward the conventional, Tatiana toward
Shanghai's decadent nightlife. When her
unconventional choices lead her to an agonizing moral
decision, Tatiana makes a choice which leads to the death of a
promising and brilliant young musician, and changes the life of her
friends, and her fate, forever.
This is a promising story with interesting characters and good
historical detail, but it is marred by uneven pacing, head-jumping
points of view, and telling rather than showing. Hozy does a
good job evoking the world of Shanghai from 1905-1925, but the story
did not flow, which is a shame, because the premise and the characters
are so promising.